10 Actors Who Just Featured In Their Most exceedingly terrible Film Of all time

1. Kerry Condon - Night Swim

It's normal for Oscar-named entertainers to follow up their honors gesture by featuring in some low-lease tat for a simple, amplified check, and that is obviously the situation with Kerry Condon in Blumhouse's risible Night Swim. Condon's basic batting normal is generally entirely good, with her most horrendously terrible surveyed film preceding Night Swim being 2018's sensational thrill ride Terrible Samaritan, which sits at a not-dreadful 54% at Spoiled Tomatoes.

 

However, Night Swim was to a great extent panned by pundits, who pummeled it for neglecting to have a good time by any means with its obviously ludicrous reason,of a spooky pool that threatens its new proprietors.Condon and co-star Wyatt Russell unquestionably attempt to lift the material, yet how's to be managed a content that is so stuffy and nonexclusive?Eventually, they're frail to do everything except act around aimlessly and gather their compensation toward the end.Given Condon's unshakable vocation history to date and inclination to stay away from terrible blood and gore movies like this, however, this trainwreck's plainly not going to cause her profession any damage.  

 

2. Aaron Taylor Johnson - Kraven the Hunter

 

Sandwiched between the acclaimed preferences of The Fall Fellow and Nosferatu, Aaron Taylor-Johnson just featured in the greatest flop of his vocation with Kraven the Tracker. Close all around panned by pundits and impassively got by broad crowds, Kraven is a mistake for Taylor-Johnson's inclusion, however that of chief J.C. Chandor (Everything Is Lost, A Most Fierce Year), as well as the film's more grown-up slanting R rating. 

 

Yet, neither entertainer nor chief can rescue a tragically inconvenient content loaded with conventional hero film beats and risible exchange, guaranteeing that while this isn't exactly basically as dreadful as the new Madame Web, it's another certain fire fizzle for Sony's non-starter of a Bug Man Universe. Taylor-Johnson's vocation has had its shortfalls before this, however never one on a scale this fantastic, and to exacerbate the situation, the $130 million tentpole floundered in its initial end of the week in the cinematic world. Obviously, it's anything but a decent search for the entertainer in the event that those reports about him being a top decision for James Bond are without a doubt evident.

 

3. Zachary Levi - Harold And The Purple Crayon 

A couple of brief quite a while back, it seemed like Shazam! could push Zachary Levi into the Elite, and evidently Levi himself suspected as much as well. Yet, five years and one lemon Shazam! continuation later, Levi is peddling for Donald Trump and, somewhat less embarrassingly, featuring in panned turkeys like Harold and the Purple Colored pencil. 

 

Stunningly one-increasing his job in last year's rank Covert operative Children: Armageddon, Levi's most recent family parody was pulverize by pundits for digressing excessively far from the source material and, to top it all off, just being a dull trudge of a film. Of course, Huge Momma's Home 2 has more terrible surveys, however a) Levi wasn't the star, and b) it's much less snoozily dull than this rubbish.

 

With the particular likelihood that Levi's political leanings will leave him featuring in Everyday Wire motion pictures soon enough, however, don't be astonished assuming he outshines Harold at the appointed time. 

4. Katherine Waterston - Afraid

 

Katherine Waterston is a staggeringly gifted entertainer with a lot of extraordinary films in her possession, however in 2024 she showed up in her most memorable venture to score close widespread basic hatred.

 

We're talking, obviously, about the new Blumhouse flick Apprehensive - an incredibly bumbling tech-loathsomeness frolic from the generally solid Chris Weitz (About a Kid), featuring Waterston and John Cho as guardians who end up going head to head against a trial shrewd home simulated intelligence. 

 

In a period where worries about artificial intelligence are naturally at an unequaled high, it's positively a reason with a lot of commitment. But, Weitz's content proposals up just the most essential, superficial evaluation of the ongoing artificial intelligence problem, or more all else, it's neither terrifying nor fun.

 

It's likewise horrendously clear the film was put through the after creation ruin, with an insufficient 84-minute runtime which guarantees that neither Waterston nor Cho get a very remarkable opportunity to flex their sizable acting chops. What a waste.

 

5. Chris Pine - Poolman

 

Chris Pine is a particularly fascinating passage onto this rundown in light of the fact that, on account of his new dramedy fizzle Poolman, he's additionally the co-essayist and chief. Poolman was flushed by pundits at its Altercation debut last year, and scarcely got considerably more love when it was screened by standard pundits and general crowds recently. 

 

However obviously planned as Pine's adoration letter to both Chinatown and The Large Lebowski, this amorphous satire noir circumvents around and around for the vast majority of its 100 minutes, and its endeavors at peculiar, crackpot engage generally put on a show of being unsavory and unbearable. 

 

It's a certifiable shock coming from Pine, a commonly affable entertainer who many needed to prevail in his most memorable time at the plate as a movie producer, yet this wasn't it - way off the mark.

 

However Pine's 2006 romantic comedy Simply My Karma has a lower Tomatometer score on paper - 15% contrasted with Poolman's 24% - it likewise has practically twofold the surveys of Poolman, which had such a harmful gathering from its debut that it couldn't captivate most pundits to try and try watching it.  

 

Obviously, assuming that one more 50 or 60 pundits thought about assessing Poolman, its score would probably sink even lower.  

6. Adam Driver - Megalopolis

 

Presently, while last year's science fiction activity cavort 65 actually has lower basic surveys than Megaloplois, on the equilibrium of both basic and crowd scores, Francis Passage Coppola's hotly anticipated creation admissions more terrible.

 

It's not difficult to see the reason why Adam Driver joined to star in what will presumably be Coppola's last at any point film, and he was logical mindful that Megalopolis wouldn't wind up positioning among the auteur's best at any point works.

 

No different either way, Megalopolis is an aggressive disappointment with a weighty accentuation on disappointment - pretentious, in fact messy, unexpectedly diverting, and frequently ridiculously exhausting at the same time. However Driver has not very many misses in his filmography, this is unquestionably the most pulverizing of the part - considerably more so than Star Wars Episode IX: The Ascent of Skywalker. 

 

While that film was a callous, hurried to-showcase blockbuster, Megalopolis is a depressingly yawn-prompting presenting from one of the business' unequaled greats, and one that thought for even a moment to prod an unusually off-key presentation out of Driver himself, who clearly went over the top with the material much.

 

7. Sofia Boutella - Rebel Moon - Part Two: The Scargiver

 

Sofia Boutella has been squandered in her reasonable portion of motion pictures, yet never more than in the finishing up part of Zack Snyder's lamentable Dissident Moon duology. 

 

However Boutella got somewhat more opportunity to excel in last year's initial passage, Section Two: The Scargiver frequently causes her to feel like an additionally ran foundation character in her own film. Confounding.

 

Couple this with the excruciatingly dull composition and exhaustingly repetitive CGI-controlled activity successions, and The Scargiver feels like what might be compared to watching another person play a computer game you'd much prefer get your hands on yourself.

 

Once more, Boutella has various flop undertakings to her name, yet even something as pitiable as 2017's The Mummy reboot basically permitted the entertainer to show some awful screen presence as the nominal antagonist. Here? She's an all out nothingburger of a person in a film that was close in a split second failed to remember by most the second the end credits rolled. 

8. Bill Skarsgård - The Crow

 

The new interpretation of The Crow was delivered to essentially against publicity, thus it was little amazement when the Bill Skarsgård-featuring re-try was immediately panned by most pundits. 

 

However, The Crow 2024 wasn't simply a malodorous retelling of a religion exemplary - it's likewise the most terrible thing Skarsgård has been the name and face of. 

 

Presently to be fair, the entertainer showed up in the much more terrible got Unique continuation Allegiant, which shakes a miserable 11% contrasted with The Crow's 22%, however considering that Skarsgård's part in the previous is a long-neglected supporting one, The Crow is the central profession flop that is bound to be recalled. 

 However Skarsgård attempts to make it work, the exorbitantly smooth filmmaking misses the mark on gothic coarseness of the first, and generally speaking feels like it's making a solid attempt to "John Wick-ify" the IP - something no one who partook in the 1994 film was requesting.

9. Sylvester Stallone - Armor

Sylvester Stallone at long last got it done, the horrendous crazy person - he at long last featured in a film more terrible than Stop! Or then again My Mother Will Shoot. However, truly, we're utilizing the expression "featured in" rather liberally here. Stallone's most recent direct-to-VOD slopbucket activity flick Covering is quite possibly of the laziest "geezer secrets" of late years - a movie whose sole presence was dependent on Shrewd's readiness to appear for a day of shooting, so his face could be lawfully put over all the promoting. What's more, we're not kidding. Stallone to be sure gone through a solitary day dealing with this embarrassingly low-lease actioner, for which he was supposedly paid a stonking $3.5 million. Should be great. However, even with such a weighty payday, Shrewd appears to be exhausted and irritated all through his 15-or-so minutes of screen time, guaranteeing anybody attracted to the film by his presence was possible left tremendously frustrated. Protection wound up handling a practically noteworthy 0% on the Tomatometer - a fitting score for what's the single lousiest passage in Stallone's ridiculously lopsided filmography.